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Bernardino was a friend and already an important figure in the Montreal underground scene. “I was 24 or 25 when the record came out and I was a nobody,” she recalls.

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Ultimately, she selected Double Invitation by Montreal-born, Paris-based electronic artist Bernardino Femminielli, a record that had a strong influence on not just her music, but her personal life too.ĭouble Invitation by Bernardino Femminielliĭavidson was in her “baby step era” of learning how to use drum machines and synthesisers when she first heard it, in 2012. I could have chosen any Giorgio Moroder album made with sequencers that had a very big impact on me at the time.” “I could have picked any Kraftwerk album, I could have talked about any early Detroit techno album, like Model 500 or Underground Resistance. “There were at least 50 records I could have chosen from,” she says. When asked to choose the record that’s had the most impact on her, Marie Davidson’s first instinct was to groan. She’s currently working on an upcoming solo album. Montreal-based electronic musician Marie Davidson is best known for her thrilling solo work, but she’s also produced and performed as Essaie pas, alongside her husband Pierre Guirineau, and most recently as L’Œil Nu, with Guirineau and Asaël Robitaille. Artwork images and sound samples below.In Permanent Rotation, producers, DJs, and musicians go deep on the albums that have inspired them.

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The record will be housed in a full color printed heavyweight jacket along with matching printed inner sleeve. The record will be pressed on 160 gram white vinyl and will feature photographs by the equally talented Corinne Schiavone. She closes the album with the title track in classic Chanson style.Īdieux Au Dancefloor will be released in early October. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. With Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English.

However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. She has been participating in the city’s vibrant experimental community for much of her adult life. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. Cititrax is thrilled to present a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson.